Ariana Grande keeps channeling her Glinda-inspired style this awards season, dazzling in a stunning pink gown at the 2025 BAFTAs.
Ariana Grande is back on the red carpet, once again captivating with her spellbinding style.
The Wicked star, who’s been earning accolades this awards season for her portrayal of Glinda, kept the high-fashion looks coming at the 2025 BAFTA Awards in London, where she’s nominated for Best Supporting Actress.
Grande turned heads in a stunning Louis Vuitton creation—a poufy pink and black gown that oozed drama.
The plunging dress featured a black bodice and a full, peachy-pink skirt with a gathered waist, while the low-cut sides of the bodice showcased her tattoos.
Accessorizing with sparkling jewelry, including a diamond necklace and pearl earrings, Ariana matched her glam to her gown, opting for a peachy-pink hue and slicking her hair back with a little black bow.
At 31, Grande kicked off her awards season fashion journey at the Palm Springs International Film Festival Awards on January 3, where she wowed in a custom Louis Vuitton bubble ball gown, possibly a nod to Glinda’s iconic bubble.
A few days later, she joined her mom, Joan, at the 2025 Golden Globes, wearing a pastel yellow strapless column gown from Hubert de Givenchy’s Spring/Summer 1966 Haute Couture collection.
The vintage piece was bought by Rita Watnick’s LILY et Cie.
Grande shared with Variety that the look was inspired by the yellow brick road, a symbol central to both Wicked and The Wizard of Oz.
The gown had debuted in the Audrey Hepburn era, leading some to speculate that Grande was channeling not just the Good Witch but also the legendary Hollywood icon.
When asked if she might be starring in a Hepburn biopic, Ariana playfully responded, «Oh my goodness, why is everyone asking me this? You’re insane! I love you.»
At the National Board of Review Gala on January 7, Grande wore a custom Loewe design in soft baby pink, evoking a timeless elegance reminiscent of Hepburn’s style.
«I’ve always loved Old Hollywood glamour—like, Marilyn Monroe and Audrey have always been my references,» she said.
«I’ve always gravitated toward ’50s, ’60s silhouettes and retro vintage… I can’t even think of a time when that wasn’t my vision board.
It’s been more fun to have more places to really do that,» she added, noting that she and her stylist have been «leaning all the way in.»
